1|1|1|1.00/8,000 BC|CAMERA PANS RIGHT ACROSS A ROCK WALL.|||1 of 721
2|1|1.1|1.00/8,000 BC|SEE PRIMITIVE SKETCHES. A JACKAL.|||2 of 721
3|1|1.2|1.00/8,000 BC|A GAZELLE, WOUNDED. CONTINUE MOVE RIGHT TO SEE...|||3 of 721
4|1|1.3|1.00/8,000 BC|THE ARTIST, A BOY OF AROUND TEN. HIS BODY IS PAINTED WITH PRIMITIVE DESIGNS. AN ELDERLY MEDICINE MAN CHANTS IN THE BACKGROUND. CONTINUE CAMERA MOVE IN...|||4 of 721
5|1|1.4|1.00/8,000 BC|...TO CU [Close up] OF BOY.|||5 of 721
6|1|2|1.00/8,000 BC|(Continued)|||6 of 721
7|1|3|1.00/8,000 BC|TIGHT CU [Close up] OF BOY'S HANDS AS HE WORKS. WE HEAR A SOUND; DISTANT, CELEBRATORY. TILT UP ...|||7 of 721
8|1|3.1|1.00/8,000 BC|TO CU [Close up] BOY AS HE REACTS TO SOUND.|||8 of 721
9|1|4|1.00/8,000 BC|STARTING ON THE BOY'S FEET AS HE RISES, WE TRACK WITH HIM.|||9 of 721
10|1|4.1|1.00/8,000 BC|SHOT GETS WIDER AS WE FOLLOW HIM UNTIL HE REACHES THE TOP OF THE ROCK AND WE SEE...|||10 of 721
11|1|4.2|1.00/8,000 BC|...THE VALLEY STRETCHED OUT IN FRONT OF US. THE SUN SETS; SMOKE CURLS UP FROM THE CAMP'S FIRES.||454|11 of 721
12|1|4.3|1.00/8,000 BC|PUSH IN TO SEE THE CAMP.|||12 of 721
13|2|1|1.00/8,000 BC|TIGHT SHOT OF GAME ANIMAL'S HEAD, SWINGING. TILT UP TO...|||13 of 721
14|2|1.1|1.00/8,000 BC|CU [Close up] HUNTER.|||14 of 721
15|2|2|1.00/8,000 BC|HUNTER'S POV [Point of view] OF CAMP.|||15 of 721
16|2|3|1.00/8,000 BC|TRACK WITH HUNTING PARTY TO CAMP.|||16 of 721
17|2|4|1.00/8,000 BC|SEE EXCITED VILLAGERS. THE CHIEF STEPS TO THE FRONT.|||17 of 721
18|2|5|1.00/8,000 BC|LONG LENS SHOT OF RETURNING HUNTERS.|||18 of 721
19|2|6|1.00/8,000 BC|LOW ANGLE MS LEADING HUNTER, PULLING BACK AS HE WALKS.|||19 of 721
20|2|7|1.00/8,000 BC|THE CHIEF RAISES HIS STAFF HIGH OVER HIS HEAD IN A RITUAL GESTURE.|||20 of 721
21|2|8|1.00/8,000 BC|BACK ON THE ROCK, THE BOY MIMICS THE GESTURE.|||21 of 721
22|2|8.1|1.00/8,000 BC|SUPER UP.|||22 of 721
23|2|9|1.00/8,000 BC|CU [Close up] BOY, INTENSE.|||23 of 721
24|2|9.1|1.00/8,000 BC|CROSS-FADE TO...|||24 of 721
25|4|1|1.00/8,000 BC|...CU [Close up] CAMPFIRE. LATER THAT NIGHT.|||25 of 721
26|4|1.1|1.00/8,000 BC|DANCERS IN RITUAL MASKS DANCE GROTESQUELY AROUND THE FIRE.|||26 of 721
27|4|1.2|1.00/8,000 BC|(Continued)|||27 of 721
28|4|2|1.00/8,000 BC|WIDER.|||28 of 721
29|4|3|1.00/8,000 BC|DOLLY AROUND THE FLAMES TO SEE...|||29 of 721
30|4|3.1|1.00/8,000 BC|WOMEN AND CHILDREN WATCHING THE DISPLAY.|||30 of 721
31|4|3.2|1.00/8,000 BC|END SHOT ON BOY. HE STARES INTO THE FLAMES. CUT TO...|||31 of 721
32|4|4|1.00/8,000 BC|...HIS POV [Point of view]. TILT SLOWLY UP WITH THE RISING EMBERS.|||32 of 721
33|4|4.1|1.00/8,000 BC|(Continued)|||33 of 721
34|4|4.2|1.00/8,000 BC|SEE THE MOON FULL AND LARGE.|||34 of 721
35|4|4.3|1.00/8,000 BC|A STRANGE SHAPE PASSES OVER THE MOON, OBSCURING IT FROM VIEW.|||35 of 721
36|4|4.4|1.00/8,000 BC|THE EMBERS DIE AWAY, LEAVING BLACKNESS...|||36 of 721
37|4|4.5|1.00/8,000 BC|WIDE ON ENTIRE VILLAGE, LATER. ALL IS QUIET. CUT TO BLACK SCREEN.|||37 of 721
38|5|1|1.00/8,000 BC|A WISP OF SMOKE CURLS UP FROM THE BOTTOM OF THE FRAME. PAN [Move camera from one side to another] OFF IT TO REVEAL...|||38 of 721
39|5|1.1|1.00/8,000 BC|WE ARE NOW IN ONE OF THE HUTS. SEE SLEEPING CHILDREN. CONTINUE PAN [Move camera from one side to another]....|||39 of 721
40|5|1.2|1.00/8,000 BC|FETISHES HANG IN THE DOORWAY.|||40 of 721
41|5|1.3|1.00/8,000 BC|A WIND COMES UP, STIRRING THEM.|||41 of 721
42|5|1.4|1.00/8,000 BC|SUDDENLY A BRIGHT LIGHT SHINES INTO THE LITTLE HUT...|||42 of 721
43|5|2|1.00/8,000 BC|CU [Close up] FETISH.|||43 of 721
44|5|3|1.00/8,000 BC|THE BOY SLEEPS.|||44 of 721
45|5|3.1|1.00/8,000 BC|THE LIGHT ENTERS AND PLAYS ACROSS HIM. PUSH IN TO..|||45 of 721
46|5|3.2|1.00/8,000 BC|CU [Close up] BOY AS HE WAKES.|||46 of 721
47|6|1|1.00/8,000 BC|EXTERIOR HUT. THE BOY COMES OUT.||224|47 of 721
48|6|2|1.00/8,000 BC|HIS POV [Point of view]. THE WIND KICKS UP STRONGER.|||48 of 721
49|6|2.1|1.00/8,000 BC|THE WIND BECOMES A GALE. VILLAGERS START TO WAKEN AND COME OUTSIDE.|||49 of 721
50|6|3|1.00/8,000 BC|VARIOUS CUTS OF VILLAGERS.|||50 of 721
51|6|4|1.00/8,000 BC|THE HUTS ARE COMING APART. SKINS, TOOLS, FETISHES, ET AL FLY THROUGH THE AIR.|||51 of 721
52|6|5|1.00/8,000 BC|MYSTERIOUSLY, THE BOY WALKS INTO THE WIND...||154|52 of 721
53|6|6|1.00/8,000 BC|CU [Close up] CHIEF. HE CALLS TO THE BOY, UNHEARD.|||53 of 721
54|6|7|1.00/8,000 BC|WIDE. THE CAMP IS DESTROYED.|||54 of 721
55|6|8|1.00/8,000 BC|REVERSE, BEHIND THE BOY. HE WALKS FORWARD, INTO A WHITE WALL OF LIGHT.|||55 of 721
56|6|8|1.00/8,000 BC|HIGH ANGLE. WE CRANE DOWN ONTO HIM.|||56 of 721
57|6|8.1|1.00/8,000 BC|CONTINUED. THE SCREEN FADES TO A BLINDING WHITE.||75|57 of 721
58|6|8.2|1.00/8,000 BC|(Continued)|||58 of 721
59|6|8.3|1.00/8,000 BC|(Continued)|||59 of 721
60|6|8.4|1.00/8,000 BC|(Continued)|||60 of 721
61|8|1|1.10/EGYPT, 1928|LONG LENS SHOT, 1920'S LIMO APPROACHES, THROWING UP HUGE DUST CLOUD. CUT TO:|GIZA.MOV||61 of 721
62|9|1|1.10/EGYPT, 1928|TIGHT SHOT OF TEXTBOOK. TILT UP TO:|GIZA.MOV||62 of 721
63|9|1.1|1.10/EGYPT, 1928|CU [Close up] YOUNG CATHERINE LANGFORD.|GIZA.MOV||63 of 721
64|9|1.2|1.10/EGYPT, 1928|(Continued)|GIZA.MOV||64 of 721
65|9|1.3|1.10/EGYPT, 1928|SHE LOOKS UP. PAN [Move camera from one side to another] OFF HER LOOK TO:|GIZA.MOV||65 of 721
66|9|1.4|1.10/EGYPT, 1928|CU [Close up] PROFESSOR LANGFORD.|GIZA.MOV||66 of 721
67|9|2|1.10/EGYPT, 1928|LOW WIDE ANGLE SHOT OF CAR APPROACHING...|GIZA.MOV||67 of 721
68|9|2.1|1.10/EGYPT, 1928|...IT PASSES OVER CAMERA...|GIZA.MOV||68 of 721
69|9|2.2|1.10/EGYPT, 1928|...LEAVING SWIRLING DUST CLOUD...|GIZA.MOV||69 of 721
70|9|2.3|1.10/EGYPT, 1928|...CROSS FADE...|GIZA.MOV||70 of 721
71|9|3|1.10/EGYPT, 1928|...TO VERY WIDE SHOT OF GIZA PLATEAU. SEE LIMO PASSING LEFT TO RIGHT IN FG [Foreground].|GIZA.MOV||71 of 721
72|9|3.1|1.10/EGYPT, 1928|SUPER UP.~CUT TO...|GIZA.MOV||72 of 721
78|10|1|1.10/EGYPT, 1928|TENT INTERIOR. TIGHT SHOT OF HANDS CLEANING ARTIFACTS. TILT UP TO SEE...|GIZA.MOV|149|73 of 721
79|10|1.1|1.10/EGYPT, 1928|OVERSEER. PUSH IN.|GIZA.MOV||74 of 721
80|10|1.2|1.10/EGYPT, 1928|(Continued)|GIZA.MOV||75 of 721
81|10|1.3|1.10/EGYPT, 1928|WE HEAR THE CAR PULL UP OUTSIDE. THE OVERSEER GOES TO TENT FLAPS, WE FOLLOW.|GIZA.MOV||76 of 721
82|10|1.4|1.10/EGYPT, 1928|OTS [Over the shoulder] ON CAR. FOLLOW THE OVERSEER OUTSIDE.|GIZA.MOV|272|77 of 721
83|10|1.5|1.10/EGYPT, 1928|HE GREETS PROFESSOR LANGFORD. THEY BEGIN TO WALK LEFT TO RIGHT; WE TRACK STEADICAM WITH THEM|GIZA.MOV|272|78 of 721
84|10|1.6|1.10/EGYPT, 1928|CONTINUED.|GIZA.MOV||79 of 721
85|10|1.7|1.10/EGYPT, 1928|THEY WALK DOWN RAMP; CAMERA REMAINS ON HIGHER LEVEL.|GIZA.MOV||80 of 721
86|10|1.8|1.10/EGYPT, 1928|TRACK WITH THEM THROUGH THE DIG. MUCH INTENSE ACTIVITY.|GIZA.MOV||81 of 721
87|10|1.9|1.10/EGYPT, 1928|(Continued)|GIZA.MOV||82 of 721
73|10|1.9.1|1.10/EGYPT, 1928|CAMERA MEETS THEM AT TOP OF SECOND RAMP.|GIZA.MOV||83 of 721
74|10|1.9.2|1.10/EGYPT, 1928|SEE EXTENSIVE DIG STRETCHED OUT BEHIND THEM.|GIZA.MOV||84 of 721
75|10|1.9.3|1.10/EGYPT, 1928|PAN [Move camera from one side to another] WITH LANGFORD LEFT TO RIGHT...|GIZA.MOV||85 of 721
76|10|1.9.4|1.10/EGYPT, 1928|CAMERA STAYS AT TOP OF THIRD RAMP.|GIZA.MOV||86 of 721
77|10|1.9.5|1.10/EGYPT, 1928|SEE COVERSTONES LAID OUT BELOW. CUT TO...|GIZA.MOV||87 of 721
88|10|2|1.10/EGYPT, 1928|TIGHT SHOT OF A PAIR OF HANDS CAREFULLY EXAMINING AND CLEANING THE STONES. TILT UP TO SEE...|GIZA.MOV||88 of 721
89|10|2.1|1.10/EGYPT, 1928|...CU [Close up] TAYLOR, LANGFORDS APPROACH IN BG [Background].|GIZA.MOV||89 of 721
90|10|2.2|1.10/EGYPT, 1928|LANGFORD CROUCHES WITH TAYLOR, THEY CONVERSE.|GIZA.MOV||90 of 721
91|10|3|1.10/EGYPT, 1928|REVERSE.|GIZA.MOV||91 of 721
92|10|4|1.10/EGYPT, 1928|WIDER, FROM BEHIND THEM. RACK [Change point of focus] TO FG [Foreground] AS...|GIZA.MOV||92 of 721
93|10|4.1|1.10/EGYPT, 1928|CATHERINE STEPS INTO PICTURE. STEADICAM LEFT TO RIGHT WITH HER.|GIZA.MOV||93 of 721
94|10|4.2|1.10/EGYPT, 1928|CONTINUED.|GIZA.MOV||94 of 721
95|10|4.3|1.10/EGYPT, 1928|SHE STOPS AT WORK TABLE WITH TOOLS AND ARTIFACTS.|GIZA.MOV|153|95 of 721
96|10|5|1.10/EGYPT, 1928|REVERSE, MCU [Medium close up]|GIZA.MOV||96 of 721
97|10|5.1|1.10/EGYPT, 1928|PUSH IN AS SHE EXAMINES DISK.|GIZA.MOV|428|97 of 721
98|10|6|1.10/EGYPT, 1928|HER POV [Point of view] RA DISK.|GIZA.MOV||98 of 721
99|10|7|1.10/EGYPT, 1928|REVERSE, NEW ANGLE. ( BEGIN CRANE SHOT.)|GIZA.MOV||99 of 721
100|10|7.1|1.10/EGYPT, 1928|SHE TURNS AT HER FATHER'S VOICE. PAN [Move camera from one side to another] LEFT WITH HER MOVE.|GIZA.MOV||100 of 721
101|10|7.2|1.10/EGYPT, 1928|SHE JOINS LANFORD SR. AND TAYLOR AS THEY WALK UP RAMP #4. WE CRANE UP AS THEY WALK, FOLLOWING SLIGHTLY.|GIZA.MOV||101 of 721
102|10|7.3|1.10/EGYPT, 1928|CONTINUED.|GIZA.MOV||102 of 721
103|10|7.4|1.10/EGYPT, 1928|THEY WALK BETWEEN TWO TENTS AT TOP OF RAMP. WE SENSE GREAT ACTIVITY ON THE OTHER SIDE. CONTINUE CRANE UP.|GIZA.MOV||103 of 721
104|10|7.5|1.10/EGYPT, 1928|(Continued)|GIZA.MOV||104 of 721
105|10|7.6|1.10/EGYPT, 1928|AS THE CRANE MOVE CRESTS, THE STARGATE IS REVEALED.|GIZA.MOV||105 of 721
106|10|7.7|1.10/EGYPT, 1928|TWO HUNDRED MEN PULL THE ROPES THAT LIFT THE DEVICE.|GIZA.MOV|314|106 of 721
107|10|8|1.10/EGYPT, 1928|TIGHTER ON A GROUP OF WORKERS.|GIZA.MOV|151|107 of 721
108|10|9|1.10/EGYPT, 1928|VARIOUS SHOTS OF THE MEN STRAINING ON THE ROPES.|GIZA.MOV|150|108 of 721
109|10|10|1.10/EGYPT, 1928|MORE.|GIZA.MOV||109 of 721
110|10|11|1.10/EGYPT, 1928|FROM OTHER SIDE OF RING AS IT PASSES UPWARD THROUGH THE FRAME.|GIZA.MOV||110 of 721
111|10|11.1|1.10/EGYPT, 1928|THROUGH THE STARGATE,SEE TAYLOR AND THE LANGFORDS APPROACHING|GIZA.MOV||111 of 721
112|10|11.2|1.10/EGYPT, 1928|PUSH IN ON THEM.|GIZA.MOV||112 of 721
113|10|11.3|1.10/EGYPT, 1928|END IN TIGHT THREE SHOT.|GIZA.MOV||113 of 721
114|10|12|1.10/EGYPT, 1928|THEIR POV [Point of view].||108|114 of 721
115|10|13|1.10/EGYPT, 1928|A WORKER INSERTS A PROP UNDER THE STARGATE.|||115 of 721
116|10|13.1|1.10/EGYPT, 1928|PUSH IN AND TILT DOWN.|||116 of 721
117|10|13.2|1.10/EGYPT, 1928|HE JAMS THE LOWER END OF THE PROP INTO A CREVICE, CAUSING SURFACE STRATA TO BREAK AWAY, REVEALING A LOWER LAYER...|||117 of 721
118|10|14|1.10/EGYPT, 1928|THE WORKER LOOKS.|||118 of 721
119|10|14.1|1.10/EGYPT, 1928|PUSH IN FOR HIS REACTION.|||119 of 721
120|10|14.2|1.10/EGYPT, 1928|(Continued)|||120 of 721
121|10|15|1.10/EGYPT, 1928|HIS POV [Point of view] OF ANUBIS HELMET EMBEDDED IN STONE.||26|121 of 721
122|10|16|1.10/EGYPT, 1928|CU [Close up] AGAIN...HE SHOUTS.|||122 of 721
123|10|17|1.10/EGYPT, 1928|HIGH ANGLE AS WORKERS SCRAMBLE.|||123 of 721
124|10|18|1.10/EGYPT, 1928|TAYLOR AND LANGFORD STEP UP. PUSH IN, TILT DOWN TO THEIR FEET.||287|124 of 721
125|10|18.1|1.10/EGYPT, 1928|(Continued)|||125 of 721
126|10|19|1.10/EGYPT, 1928|CU [Close up] TWO SHOT, THEY REACT WITH PUZZLEMENT AND AWE.|||126 of 721
127|10|19.1|1.10/EGYPT, 1928|(Continued)|||127 of 721
128|10|20|1.10/EGYPT, 1928|THEIR POV [Point of view]. PUSH IN.|||128 of 721
129|10|20.1|1.10/EGYPT, 1928|(Continued)|||129 of 721
130|99|1|2.00/ENTRANCE HALL|THE COLONEL GIVES INSTRUCTIONS TO HIS MEN. CU [Close up].|||130 of 721
131|99|2|2.00/ENTRANCE HALL|COLONEL'S POV [Point of view]. THE MEN TURN ON LIGHTS, MOVE PAST THE CAMERA.|||131 of 721
132|99|3|2.00/ENTRANCE HALL|CU [Close up] DANIEL|||132 of 721
133|99|4|2.00/ENTRANCE HALL|DANIEL'S POV [Point of view]. HAND HELD. MOVING.|||133 of 721
134|99|5|2.00/ENTRANCE HALL|LONG LENS, TIGHT. THE MEN MOVE FORWARD.|||134 of 721
135|100|1|2.00/ENTRANCE HALL|THEIR POV [Point of view].||198|135 of 721
136|100|1.1|2.00/ENTRANCE HALL|THE COLONEL COMES INTO THE PICTURE, GIVES FURTHER ORDERS.|||136 of 721
137|101|1|2.00/ENTRANCE HALL|INSIDE THE HALL. THE FIRST TWO SOLDIERS ENTER, LIGHT FLARES, AND THROW THEM.|||137 of 721
138|102|1|2.00/ENTRANCE HALL|LONG SHOT DOWN THE HALL AS THE FLARES FLY.|||138 of 721
139|102|3|2.00/ENTRANCE HALL|REVERSE, LOW ON THE GROUND. THE FLARES HIT AND ROLL TOWARD CAMERA.|||139 of 721
140|103|1|2.00/ENTRANCE HALL|THE MEN MARCH FORWARD, LIKE MARINES TAKING THE NEXT HILL; THEY POSITION THEMSELVES BETWEEN THE PILLARS.|||140 of 721
141|103|2|2.00/ENTRANCE HALL|THEY LIGHT MORE FLARES.|||141 of 721
142|103|3|2.00/ENTRANCE HALL|(Continued)|||142 of 721
143|103|4|2.00/ENTRANCE HALL|(Continued)|||143 of 721
144|103|5|2.00/ENTRANCE HALL|PULLING BACK WITH THE NEXT SET OF RUNNING SOLDIERS. PAN [Move camera from one side to another] OFF THIS ONE , GO RIGHT...|||144 of 721
145|103|5.1|2.00/ENTRANCE HALL|...SEE SECOND SOLDIER TAKE HIS POSITION AT A COLUMN. PAN [Move camera from one side to another] WITH HIM. FLARES CONTINUE TO FLY BY IN THE BG [Background].|||145 of 721
146|103|5.2|2.00/ENTRANCE HALL|SOLDIER IN POSITION. HE LOOKS AROUND.|||146 of 721
147|103|6|2.00/ENTRANCE HALL|SOLDIER POV [Point of view].|||147 of 721
148|103|7|2.00/ENTRANCE HALL|HIGH CRANE SHOT AS THEY ALL MOVE OUT. CAMERA SWOOPS DOWN TO FOLLOW THEM.|||148 of 721
149|103|7.1|2.00/ENTRANCE HALL|CONTINUED.|||149 of 721
150|104|1|2.00/ENTRANCE HALL|(Continued)|||150 of 721
151|104|2|2.00/ENTRANCE HALL|DANIEL'S POV [Point of view]. COLONEL STEPS INTO THE FRAME, MOTIONS FOR HIM TO FOLLOW.||338|151 of 721
152|104|3|2.00/ENTRANCE HALL|PULLING BACK WITH DANIEL.|||152 of 721
153|104|4|2.00/ENTRANCE HALL|SIDEANGLE TRACKING SHOT OF DANIEL AND THE COLONEL RUNNING TOWARD THE DOOR.|||153 of 721
154|104|5|2.00/ENTRANCE HALL|LOW ANGLE FOLLOWING THE SOLDIERS OUTSIDE.|||154 of 721
155|105|1|2.00/ENTRANCE HALL|PULL BACK IN WIDE-ANGLE CU [Close up] OF ND [Non-descript] SOLDIER.|||155 of 721
156|105|2|2.00/ENTRANCE HALL|REVERSE, PUSHING THROUGH BEHIND.|PYRAMID.MOV||156 of 721
157|105|2.1|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||157 of 721
158|105|2.2|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||158 of 721
159|105|3|2.00/ENTRANCE HALL|CU [Close up] LT. KAWALSKY|PYRAMID.MOV||159 of 721
160|105|4|2.00/ENTRANCE HALL|HIS POV [Point of view] PUSHING THROUGH TO EXTERIOR.|PYRAMID.MOV||160 of 721
161|105|4.1|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||161 of 721
162|105|4.2|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||162 of 721
163|106|1|2.00/ENTRANCE HALL|CU [Close up] KAWALSKY|PYRAMID.MOV||163 of 721
164|106|2|2.00/ENTRANCE HALL|VERY HIGH AND WIDE, FROM TOP OF DUNE. SEE SOLDIERS TAKE DEFENSIVE POSITIONS AT DOORWAY AND ON RAMP.|PYRAMID.MOV||164 of 721
165|106|3|2.00/ENTRANCE HALL|PULLING BACK WITH THE COLONEL AND DANIEL. LET THE COLONEL PASS, SHOT BECOMES...|PYRAMID.MOV||165 of 721
166|106|3.1|2.00/ENTRANCE HALL|MOVING CU [Close up] OF DANIEL.|PYRAMID.MOV||166 of 721
167|106|4|2.00/ENTRANCE HALL|REVERSE, FOLLOWING BEHIND THEM.|PYRAMID.MOV||167 of 721
168|106|5|2.00/ENTRANCE HALL|LOW ANGLE BY DOORWAY. SEE SOLDIER EXIT, PASS THROUGH FRAME AS WE DOLLY TO DOOR (L TO R) TO SEE...|PYRAMID.MOV||168 of 721
169|106|5.1|2.00/ENTRANCE HALL|DANIEL STEP OUT INTO THE LIGHT.|PYRAMID.MOV||169 of 721
170|106|6|2.00/ENTRANCE HALL|WIDE. THE COLONEL LEADS DANIEL ONTO THE RAMP.|PYRAMID.MOV||170 of 721
171|106|7|2.00/ENTRANCE HALL|CU [Close up] DANIEL LOOKING.|PYRAMID.MOV||171 of 721
172|106|8|2.00/ENTRANCE HALL|HIS POV [Point of view] OF THE ENTRANCE HALL FACADE.|PYRAMID.MOV||172 of 721
173|106|9|2.00/ENTRANCE HALL|FOLLOWING DANIEL AND THE COLONEL.|PYRAMID.MOV||173 of 721
174|107|1|2.00/ENTRANCE HALL|VERY HIGH ANGLE TRACKING SHOT OF TWO SOLDIERS TAKING POSITION NEAR OBELISKS. CRANE RAPIDLY DOWNWARD.|PYRAMID.MOV||174 of 721
175|107|1.1|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||175 of 721
176|107|1.2|2.00/ENTRANCE HALL|(Continued)|PYRAMID.MOV||176 of 721
177|107|1.3|2.00/ENTRANCE HALL|SEE SOLDIER TAKE POSITION.|PYRAMID.MOV||177 of 721
178|107|1.4|2.00/ENTRANCE HALL|RACK [Change point of focus] TO BG [Background] SEE SECOND SOLDIER.|PYRAMID.MOV||178 of 721
179|107|2|2.00/ENTRANCE HALL|SEE SOLDIER CROUCH AT TOP OF RAMP.|PYRAMID.MOV||179 of 721
180|107|2.1|2.00/ENTRANCE HALL|RACK [Change point of focus] TO BG [Background] TO SEE SECOND SOLDIER TAKE POSITION.|PYRAMID.MOV||180 of 721
